The VAMPIRE ARMAND by Anne Rice

The VAMPIRE ARMAND 

by 

Anne Rice

In The Vampire Armand, Anne Rice returns to her indomitable Vampire Chronicles and recaptures the gothic horror and delight she first explored in her classic tale Interview with the Vampire (in which Armand, played by Antonio Banderas in the film version, made his first appearance as director of the Théâtre des Vampires). The story begins in the aftermath of Memnoch the Devil. Vampires from all over the globe have gathered around Lestat, who lies prostrate on the floor of a cathedral. Dead? In a coma? As Armand reflects on Lestat's condition, he is drawn by David Talbot to tell the story of his own life. The narrative abruptly rushes back to 15th-century Constantinople, and the Armand of the present recounts the fragmented memories of his childhood abduction from Kiev. Eventually, he is sold to a Venetian artist (and vampire), Marius. Rice revels in descriptions of the sensual relationship between the young and still-mortal Armand and his vampiric mentor. But when Armand is finally transformed, the tone of the book dramatically shifts. Raw and sexually explicit scenes are displaced by Armand's introspective quest for a union of his Russian Orthodox childhood, his hedonistic life with Marius, and his newly acquired immortality. These final chapters remind one of the archetypal significance of Rice's vampires; at their best, Armand, Lestat, and Marius offer keen insights into the most human of concerns.
The Vampire Armand is richly intertextual; readers will relish the retelling of critical events from Lestat and Louis's narratives. Nevertheless, the novel is very much Armand's own tragic tale. Rice deftly integrates the necessary back-story for new readers to enter her epic series, and the introduction of a few new voices adds a fresh perspective--and the promise of provocative future installments.

Read

MEMNOCH the DEVIL by Anne Rice

MEMNOCH the DEVIL 

by 

Anne Rice

The fifth volume of Rice's Vampire Chronicles is one of her most controversial books. The tale begins in New York, where Lestat, the coolest of Rice's vampire heroes, is stalking a big-time cocaine dealer and religious-art smuggler--this guy should get it in the neck. Lestat is also growing fascinated with the dealer's lovely daughter, a TV evangelist who's not a fraud.

Lestat is also being stalked himself, by some shadowy guy who turns out to be Memnoch, the devil, who spirits him away. From here on, the book might have been called Interview with the Devil (by a Vampire). It's a rousing story interrupted by a long debate with the devil. Memnoch isn't the devil as ordinarily conceived: he got the boot from God because he objected to God's heartless indifference to human misery. Memnoch takes Lestat to heaven, hell, and throughout history.

Some readers are appalled by the scene in which Lestat sinks his fangs into the throat of Christ on the cross, but the scene is not a mere shock tactic: Jesus is giving Lestat a bloody taste in order to win him over to God's side, and Rice is dead serious about the battle for his soul. Rice is really doing what she did as a devout young Catholic girl asked to imagine in detail what Christ's suffering felt like--it's just that her imagination ran away with her. If you like straight-ahead fanged adventure, you'll likely enjoy the first third; if you like Job-like arguments with God, you'll prefer the Memnoch chapters

Read

The TALE of the BODY THIEF by Anne Rice

The TALE of the BODY THIEF

by 

Anne Rice

It's been said that Vladimir Nabokov's best novels are the ones he wrote after starting a failed novel. Anne Rice wrote The Body Thief, the fourth thrilling episode of her Vampire Chronicles, right after she spent a long time poring over that most romantic of horror novels, Mary Shelley's Frankenstein, to research a novel Rice abandoned about an artificial man. Perhaps as a result of Shelley's influence, The Body Thief is far more psychologically penetrating than its predecessors, with a laser-like focus on a single tormented soul. Oh, we meet some wild new characters, and Rice's toothsome vampire-hero Lestat zooms around the globe--as is his magical habit--from Miami to the Gobi desert, but he's in such despair that he trades his immortal body to a con man named Raglan James, who offers him in return two days of strictly mortal bliss.

Lestat has always had a faulty impulse-control valve, and it gets him in truly intriguing trouble this time. On the plus side, he gets to experience romance with a nun and orange juice--"thick like blood, but full of sweetness." But Lestat is horrified by an uncommon cold, and his toilet training proves traumatic. He's also got to catch Raglan James, who has no intention of giving up his dishonestly acquired new superpowered body. Lestat enlists the help of David Talbot, a mortal in the Talamasca, a secret society of immortal watchers described in Queen of the Damned. The swapping of bodies and supernatural stories is choice, and there's even a moral: never give a bloodsucker an even break

Read

The VAMPIRE LESTAT by Anne Rice

The VAMPIRE LESTAT 

by

Anne Rice

After the spectacular debut of Interview with the Vampire in 1976, Anne Rice put aside her vampires to explore other literary interests--Italian castrati in Cry to Heaven and the Free People of Color in The Feast of All Saints. But Lestat, the mischievous creator of Louis in Interview, finally emerged to tell his own story in the 1985 sequel, The Vampire Lestat.

As with the first book in the series, the novel begins with a frame narrative. After over a half century underground, Lestat awakens in the 1980s to the cacophony of electronic sounds and images that characterizes the MTV generation. Particularly, he is captivated by a fledgling rock band named Satan's Night Out. Determined both to achieve international fame and end the centuries of self-imposed vampire silence, Lestat takes command of the band (now renamed "The Vampire Lestat") and pens his own autobiography. The remainder of the novel purports to be that autobiography: the vampire traces his mortal youth as the son of a marquis in pre-Revolutionary France, his initiation into vampirism at the hands of Magnus, and his quest for the ultimate origins of his undead species. While very different from the first novel in the Vampire Chronicles, The Vampire Lestat has proved to be the foundation for a broader range of narratives than is possible from Louis's brooding, passive perspective. The character of Lestat is one of Rice's most complex and popular literary alter egos, and his Faustian strivings have a mythopoeic resonance that links the novel to a grand tradition of spiritual and supernatural fiction

Read

QUEEN of the DAMNED by Anne Rice

QUEEN of the DAMNED 

by 

Anne Rice

Did you ever wonder where all those mischievous vampires roaming the globe in Anne Rice's Vampire Chronicles came from? In this, the third book in the series, we find out. That raucous rock-star vampire Lestat interrupts the 6,000-year slumber of the mama of all bloodsuckers, Akasha, Queen of the Damned.

Akasha was once the queen of the Nile (she has a bit in common with the Egyptian goddess Isis), and it's unwise to rile her now that she's had 60 centuries of practice being undead. She is so peeved about male violence that she might just have to kill most of them. And she has her eye on handsome Lestat with other ideas as well. If you felt that the previous books in the series weren't gory and erotic enough, this one should quench your thirst (though it may cause you to omit organ meats from your diet). It also boasts God's plenty of absorbing lore that enriches the tale that went before, including the back-story of the boy in Interview with the Vampire and the ancient fellowship of the Talamasca, which snoops on paranormal phenomena. Mostly, the book spins the complex yarn of Akasha's eerie, brooding brood and her nemeses, the terrifying sisters Maharet and Mekare. In one sense, Queen of the Damned is the ultimate multigenerational saga.

Read