Swiss Family Robinson by Johann David Wyss

Swiss Family Robinson

by

Johann David Wyss

"Swiss Family Robinson" is the classic tale of a Swiss pastor, his wife and their four sons who find themselves shipwrecked on an isolated tropical island. Along with a couple of dogs, some livestock, pigeons and geese, "Swiss Family Robinson," is the story of a family's struggle to survive in a foreign land isolated from society. Everyday brings a new adventure and a new obstacle to overcome. Above all, "Swiss Family Robinson" is a classic tale of adventure that can be enjoyed by readers both young and old.

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The Count of Monte Cristo by Alexandre Dumas

The Count of Monte Cristo 

by

Alexandre Dumas

Edmond Dantes is on the verge of adult life. He has just been made captain of a ship and is about to marry his
beautiful fiancée, Mercedes. But he has enemies who envy him. And he has been foolish. At the dying request of the previous captain of his ship, the Pharaoh, he has carried a letter to the exiled Napoleon who has in turn given him a letter addressed to someone in Paris.

Edmond’s enemies denounce him to the local judge, Villefort, who recognises the name on the letter as his
father’s and is terrified that he will be linked with plots against the monarch. He sends Edmond to the Chateau
d’lf, a prison where men go and never return. 

After some time he makes contact with another prisoner, Faria, who has made a secret pathway under the prison. They meet regularly. Faria teaches Edmond about many things, and tells him about the Spada treasure on the island of Monte Cristo.
Faria dies and Edmond sees his chance. He changes places with the dead Faria, is thrown into the sea and rescued by a smuggling ship. He finally makes it to Monte Cristo and finds the treasure.
He returns to Marseilles a rich man, to find Mercedes at the home of his dying father. The novel ends happily, with Edmond and Mercedes sailing out of the harbour on his new boat.

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The Seven Spiritual Laws of Success by Deepak Chopra

The Seven Spiritual Laws of Success: 

A Practical Guide to the Fulfillment of Your Dreams

by 

Deepak Chopra

Teilhard de Chardin said, "We are spiritual beings having a human experience." Chopra builds on this powerful thought in this recording that expands his life's work in spiritual approaches to daily living. He explains the laws of pure potentiality, giving, karma, least effort, intention and desire, detachment, and dharma and includes useful suggestions on how to apply these fundamental, natural principles if one is truly searching for purpose and a satisfying life. Ancient Vedic concepts form the basis of this philosophy of living that transcends the Eurocentric theological dogma that seems to preoccupy Western thought, especially among Americans. With Chopra's rapidly growing adherents and his appearance on the glib talk shows, look for this new release to attract attention. The recording, read by the author, is also available in book form (Amber-Allen Pub., 1995), which may appeal to those listeners willing to do the hard work required to successfully implement these principles. For all public libraries.?Dale Farris, Groves, Tex.
Copyright 1995 Reed Business Information, Inc

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Awakening Osiris: The Egyptian Book of the Dead

Awakening Osiris: The Egyptian Book of the Dead

 

This is one of the most incredible books I've ever read. In this "translation" of the Book of Going Forth By Day (the original Egyptian name for the Book of the Dead) Ellis sings the world into existence and exposes the very depths of my soul like no other writer ever has. It is not a literal translation, but more of a contemporary reflection of what the various chapters mean, a very poetic, smoothly flowing meditation on "Becoming Osiris" and living life like the gods we are. If you've ever been interested in Egyptian thought or mythology, you will love this book!
I am Osiris. I walk between the two worlds. I am the maker of myths. I remember all that was and what will be. I am eternal, existing for the millions of years. When you see the sun, remember me, remember your Self. 

 

 

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BLOOD and GOLD by Anne Rice

BLOOD and GOLD 

by 

Anne Rice

Time heals all wounds, unless, of course, you're a vampire. Cuts may heal, burns vanish, limbs reattach, but for the "blood god," the wounds of the heart sometimes stay open and raw for centuries. So it is for Marius, Anne Rice's oft-mentioned and beloved scholar. We've heard parts of his tale in past volumes of the Vampire Chronicles, but never so completely and never from his own lips. In Blood and Gold, Rice mostly (but not entirely) avoids the danger of treading worn ground as she fills out the life and character of Marius the Lonely, the Disenchanted, the Heartsick--a 2,000-year-old vampire "with all the conviction of a mortal man."

Plucked from his beloved Rome in the prime of his life and forced into solitude as keeper of the vampire queen and king, Marius has never forgiven the injustice of his mortal death. Thousands of years later, he still seethes over his losses. Immortality for Marius is both a blessing and a curse--he bears "witness to all splendid and beautiful things human," yet is unable to engage in relationships for fear of revealing his burden. New readers to the Chronicles may wish for a more fleshed-out, less introspective hero, but Rice's legions of devoted fans will recognize Blood and Gold for what it is: a love song to Marius the Wanderer, whose story reveals the complexities and limitations of eternal existence.

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The VAMPIRE ARMAND by Anne Rice

The VAMPIRE ARMAND 

by 

Anne Rice

In The Vampire Armand, Anne Rice returns to her indomitable Vampire Chronicles and recaptures the gothic horror and delight she first explored in her classic tale Interview with the Vampire (in which Armand, played by Antonio Banderas in the film version, made his first appearance as director of the Théâtre des Vampires). The story begins in the aftermath of Memnoch the Devil. Vampires from all over the globe have gathered around Lestat, who lies prostrate on the floor of a cathedral. Dead? In a coma? As Armand reflects on Lestat's condition, he is drawn by David Talbot to tell the story of his own life. The narrative abruptly rushes back to 15th-century Constantinople, and the Armand of the present recounts the fragmented memories of his childhood abduction from Kiev. Eventually, he is sold to a Venetian artist (and vampire), Marius. Rice revels in descriptions of the sensual relationship between the young and still-mortal Armand and his vampiric mentor. But when Armand is finally transformed, the tone of the book dramatically shifts. Raw and sexually explicit scenes are displaced by Armand's introspective quest for a union of his Russian Orthodox childhood, his hedonistic life with Marius, and his newly acquired immortality. These final chapters remind one of the archetypal significance of Rice's vampires; at their best, Armand, Lestat, and Marius offer keen insights into the most human of concerns.
The Vampire Armand is richly intertextual; readers will relish the retelling of critical events from Lestat and Louis's narratives. Nevertheless, the novel is very much Armand's own tragic tale. Rice deftly integrates the necessary back-story for new readers to enter her epic series, and the introduction of a few new voices adds a fresh perspective--and the promise of provocative future installments.

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MEMNOCH the DEVIL by Anne Rice

MEMNOCH the DEVIL 

by 

Anne Rice

The fifth volume of Rice's Vampire Chronicles is one of her most controversial books. The tale begins in New York, where Lestat, the coolest of Rice's vampire heroes, is stalking a big-time cocaine dealer and religious-art smuggler--this guy should get it in the neck. Lestat is also growing fascinated with the dealer's lovely daughter, a TV evangelist who's not a fraud.

Lestat is also being stalked himself, by some shadowy guy who turns out to be Memnoch, the devil, who spirits him away. From here on, the book might have been called Interview with the Devil (by a Vampire). It's a rousing story interrupted by a long debate with the devil. Memnoch isn't the devil as ordinarily conceived: he got the boot from God because he objected to God's heartless indifference to human misery. Memnoch takes Lestat to heaven, hell, and throughout history.

Some readers are appalled by the scene in which Lestat sinks his fangs into the throat of Christ on the cross, but the scene is not a mere shock tactic: Jesus is giving Lestat a bloody taste in order to win him over to God's side, and Rice is dead serious about the battle for his soul. Rice is really doing what she did as a devout young Catholic girl asked to imagine in detail what Christ's suffering felt like--it's just that her imagination ran away with her. If you like straight-ahead fanged adventure, you'll likely enjoy the first third; if you like Job-like arguments with God, you'll prefer the Memnoch chapters

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The TALE of the BODY THIEF by Anne Rice

The TALE of the BODY THIEF

by 

Anne Rice

It's been said that Vladimir Nabokov's best novels are the ones he wrote after starting a failed novel. Anne Rice wrote The Body Thief, the fourth thrilling episode of her Vampire Chronicles, right after she spent a long time poring over that most romantic of horror novels, Mary Shelley's Frankenstein, to research a novel Rice abandoned about an artificial man. Perhaps as a result of Shelley's influence, The Body Thief is far more psychologically penetrating than its predecessors, with a laser-like focus on a single tormented soul. Oh, we meet some wild new characters, and Rice's toothsome vampire-hero Lestat zooms around the globe--as is his magical habit--from Miami to the Gobi desert, but he's in such despair that he trades his immortal body to a con man named Raglan James, who offers him in return two days of strictly mortal bliss.

Lestat has always had a faulty impulse-control valve, and it gets him in truly intriguing trouble this time. On the plus side, he gets to experience romance with a nun and orange juice--"thick like blood, but full of sweetness." But Lestat is horrified by an uncommon cold, and his toilet training proves traumatic. He's also got to catch Raglan James, who has no intention of giving up his dishonestly acquired new superpowered body. Lestat enlists the help of David Talbot, a mortal in the Talamasca, a secret society of immortal watchers described in Queen of the Damned. The swapping of bodies and supernatural stories is choice, and there's even a moral: never give a bloodsucker an even break

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The VAMPIRE LESTAT by Anne Rice

The VAMPIRE LESTAT 

by

Anne Rice

After the spectacular debut of Interview with the Vampire in 1976, Anne Rice put aside her vampires to explore other literary interests--Italian castrati in Cry to Heaven and the Free People of Color in The Feast of All Saints. But Lestat, the mischievous creator of Louis in Interview, finally emerged to tell his own story in the 1985 sequel, The Vampire Lestat.

As with the first book in the series, the novel begins with a frame narrative. After over a half century underground, Lestat awakens in the 1980s to the cacophony of electronic sounds and images that characterizes the MTV generation. Particularly, he is captivated by a fledgling rock band named Satan's Night Out. Determined both to achieve international fame and end the centuries of self-imposed vampire silence, Lestat takes command of the band (now renamed "The Vampire Lestat") and pens his own autobiography. The remainder of the novel purports to be that autobiography: the vampire traces his mortal youth as the son of a marquis in pre-Revolutionary France, his initiation into vampirism at the hands of Magnus, and his quest for the ultimate origins of his undead species. While very different from the first novel in the Vampire Chronicles, The Vampire Lestat has proved to be the foundation for a broader range of narratives than is possible from Louis's brooding, passive perspective. The character of Lestat is one of Rice's most complex and popular literary alter egos, and his Faustian strivings have a mythopoeic resonance that links the novel to a grand tradition of spiritual and supernatural fiction

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QUEEN of the DAMNED by Anne Rice

QUEEN of the DAMNED 

by 

Anne Rice

Did you ever wonder where all those mischievous vampires roaming the globe in Anne Rice's Vampire Chronicles came from? In this, the third book in the series, we find out. That raucous rock-star vampire Lestat interrupts the 6,000-year slumber of the mama of all bloodsuckers, Akasha, Queen of the Damned.

Akasha was once the queen of the Nile (she has a bit in common with the Egyptian goddess Isis), and it's unwise to rile her now that she's had 60 centuries of practice being undead. She is so peeved about male violence that she might just have to kill most of them. And she has her eye on handsome Lestat with other ideas as well. If you felt that the previous books in the series weren't gory and erotic enough, this one should quench your thirst (though it may cause you to omit organ meats from your diet). It also boasts God's plenty of absorbing lore that enriches the tale that went before, including the back-story of the boy in Interview with the Vampire and the ancient fellowship of the Talamasca, which snoops on paranormal phenomena. Mostly, the book spins the complex yarn of Akasha's eerie, brooding brood and her nemeses, the terrifying sisters Maharet and Mekare. In one sense, Queen of the Damned is the ultimate multigenerational saga.

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The Da Vinci Code by Dan Brown

The Da Vinci Code 

by 

Dan Brown

With The Da Vinci Code, Dan Brown masterfully concocts an intelligent and lucid thriller that marries the gusto of an international murder mystery with a collection of fascinating esoteria culled from 2,000 years of Western history. A murder in the silent after-hour halls of the Louvre museum reveals a sinister plot to uncover a secret that has been protected by a clandestine society since the days of Christ. The victim is a high-ranking agent of this ancient society who, in the moments before his death, manages to leave gruesome clues at the scene that only his granddaughter, noted cryptographer Sophie Neveu, and Robert Langdon, a famed symbologist, can untangle. The duo become both suspects and detectives searching for not only Neveu's grandfather's murderer but also the stunning secret of the ages he was charged to protect. Mere steps ahead of the authorities and the deadly competition, the mystery leads Neveu and Langdon on a breathless flight through France, England, and history itself. Brown (Angels and Demons) has created a page-turning thriller that also provides an amazing interpretation of Western history. Brown's hero and heroine embark on a lofty and intriguing exploration of some of Western culture's greatest mysteries--from the nature of the Mona Lisa's smile to the secret of the Holy Grail. Though some will quibble with the veracity of Brown's conjectures, therein lies the fun. The Da Vinci Code is an enthralling read that provides rich food for thought.

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Angels and Demons by Dan Brown

Angels and Demons
by
Dan Brown

It takes guts to write a novel that combines an ancient secret brotherhood, the Swiss Conseil Européen pour la Recherche Nucléaire, a papal conclave, mysterious ambigrams, a plot against the Vatican, a mad scientist in a wheelchair, particles of antimatter, jets that can travel 15,000 miles per hour, crafty assassins, a beautiful Italian physicist, and a Harvard professor of religious iconology. It takes talent to make that novel anything but ridiculous. Kudos to Dan Brown (Digital Fortress) for achieving the nearly impossible. Angels & Demons is a no-holds-barred, pull-out-all-the-stops, breathless tangle of a thriller--think Katherine Neville's The Eight (but cleverer) or Umberto Eco's Foucault's Pendulum (but more accessible).

Harvard symbologist Robert Langdon is shocked to find proof that the legendary secret society, the Illuminati--dedicated since the time of Galileo to promoting the interests of science and condemning the blind faith of Catholicism--is alive, well, and murderously active. Brilliant physicist Leonardo Vetra has been murdered, his eyes plucked out, and the society's ancient symbol branded upon his chest. His final discovery, antimatter, the most powerful and dangerous energy source known to man, has disappeared--only to be hidden somewhere beneath Vatican City on the eve of the election of a new pope. Langdon and Vittoria, Vetra's daughter and colleague, embark on a frantic hunt through the streets, churches, and catacombs of Rome, following a 400-year-old trail to the lair of the Illuminati, to prevent the incineration of civilization. Brown seems as much juggler as author--there are lots and lots of balls in the air in this novel, yet Brown manages to hurl the reader headlong into an almost surreal suspension of disbelief. While the reader might wish for a little more sardonic humor from Langdon, and a little less bombastic philosophizing on the eternal conflict between religion and science, these are less fatal flaws than niggling annoyances--readers should have no trouble skimming past them and immersing themselves in a heck of a good read. "Brain candy" it may be, but my! It's tasty.

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Skipping Christmas by John Grisham

Skipping Christmas 

by

John Grisham

John Grisham turns a satirical eye on the overblown ritual of the festive holiday season, and the result is Skipping Christmas, a modest but funny novel about the tyranny of December 25. Grisham's story revolves around a typical middle-aged American couple, Luther and Nora Krank. On the first Sunday after Thanksgiving they wave their daughter Blair off to Peru to work for the Peace Corps, and they suddenly realize that "for the first time in her young and sheltered life Blair would spend Christmas away from home."

Luther Krank sees his daughter's Christmas absence as an opportunity. He estimates that "a year earlier, the Luther Krank family had spent $6,100 on Christmas," and have "precious little to show for it." So he makes an executive decision, telling his wife, friends, and neighbors that "we won't do Christmas." Instead, Luther books a 10-day Caribbean cruise. But things start to turn nasty when horrified neighbors get wind of the Krank's subversive scheme and besiege the couple with questions about their decision. Grisham builds up a funny but increasingly terrifying picture of how this tight-knit community turns on the Kranks, who find themselves under increasing pressure to conform. As the tension mounts, readers may wonder whether they will manage to board their plane on Christmas day. Skipping Christmas is Grisham-lite, with none of the serious action or drama of his legal thrillers, but a funny poke at the craziness of Christmas

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The Summons by John Grisham

The Summons
by
John Grisham

 

Law professor Ray Atlee and his prodigal brother, Forrest, are summoned home to Clanton, Mississippi, by their ailing father to discuss his will. But when Ray arrives the judge is already dead, and the one-page document dividing his meager estate between the two sons seems crystal clear. What it doesn't mention, however, is the small fortune in cash Ray discovers hidden in the old man's house--$3 million he can't account for and doesn't mention to brother Forrest, either. Ray's efforts to keep his find a secret, figure out where it came from, and hide it from a nameless extortioner, who seems to know more about it than he does, culminate in a denouement with an almost biblical twist. It's a slender plot to hang a thriller on, and in truth it's not John Grisham's best in terms of pacing, dramatic tension, and interesting characters (except for Harry Rex, a country lawyer who was the judge's closest friend and in many ways is the father Ray wishes he'd had. He's so vivid he jumps off the page). But Grisham's legions of fans are likely to enjoy The Summons even if it lacks the power of some of his classic earlier books, like The Firm, The Brethren, and The Testament.

 

 

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A Time to Kill by John Grisham

A Time to Kill 

by 

John Grisham

This addictive tale of a young lawyer defending a black Vietnam war hero who kills the white druggies who raped his child in tiny Clanton, Mississippi, is John Grisham's first novel, and his favorite of his first six. He polished it for three years and every detail shines like pebbles at the bottom of a swift, sunlit stream. Grisham is a born legal storyteller and his dialogue is pitch perfect. The plot turns with jeweled precision. Carl Lee Hailey gets an M-16 from the Chicago hoodlum he'd saved at Da Nang, wastes the rapists on the courthouse steps, then turns to attorney Jake Brigance, who needs a conspicuous win to boost his career. Folks want to give Carl Lee a second medal, but how can they ignore premeditated execution? The town is split, revealing its social structure. Blacks note that a white man shooting a black rapist would be acquitted; the KKK starts a new Clanton chapter; the NAACP, the ambitious local reverend, a snobby, Harvard-infested big local firm, and others try to outmaneuver Jake and his brilliant, disbarred drunk of an ex-law partner. Jake hits the books and the bottle himself. Crosses burn, people die, crowds chant "Free Carl Lee!" and "Fry Carl Lee!" in the antiphony of America's classical tragedy. Because he's lived in Oxford, Mississippi, Grisham gets compared to Faulkner, but he's really got the lean style and fierce folk moralism of John Steinbeck.

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The Broker by John Grisham

The Broker

by 

John Grisham

Before he was sent to federal prison for treason (among other things), Joel Backman was an extremely powerful man. Known as "the broker," Backman was a high roller--a lawyer making $10 million a year who could "open any door in Washington." That is, until he tried to broker a deal selling access to the world's most powerful satellite surveillance system to the highest bidder. When caught, Backman accepted prison as the one option that would keep him safe and alive, since the interested parties (the Israelis, the Saudis, the Russians, and the Chinese) were all itching to get their hands on his secrets at any cost. Little does he know that his own government has designs on accessing that information--or at least letting it die with him. Now, six years after his incarceration, the director of the CIA convinces a lame duck president to pardon Backman, and the broker becomes a free man--and an open target.

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A Painted House by John Grisham

A Painted House
by
John Grisham

 

ohn Grisham shows his versatility as a writer in the story of a seven-year-old boy who is privy to adult secrets. The conflict Luke Chandler faces is the grist of Grisham's novel. Unlike the courtroom dramas that trademark earlier books, A PAINTED HOUSE takes place in rural Arkansas in 1952, where the setting is a family's cotton farm. An only child, Luke is introduced to two migrant groups, the hill people and the Mexicans. His childhood is turned upside down when they interact with the Chandler family.

The outsiders arrive in Black Oak to work in the cotton harvest for Luke's father and grandfather, who struggle to pay their bills. The hill people come from the mountains in the northern part of the state and are considered hillbillies. The low-class Spruills pitch a tent and set their camp in the Chandler front yard --- an unforgivable act, according to Luke.

By contrast, the Mexicans live in the barn. One of them, Cowboy, terrifies Luke when he shows off a switchblade and the intent to use it if necessary. Conflict erupts when Hank Spruill, a hulking giant of a young man, bullies the Mexicans. Hank antagonizes everyone he meets in the small town of Black Oak. Luke witnesses one brutal thrashing that Hank gives a local boy. The consequences of that encounter remain a dark secret the boy is forced to keep.

Grisham develops a suspenseful story, characteristic of his earlier books. A PAINTED HOUSE is a tale of social ambiguities inherent in small communities. On the one side, Luke's family is financially superior to the visiting clans. But he is made to feel inferior when the malicious Hank points out that the Chandlers' clapboard house is a gray, unpainted wood. Hank boasts that the Spruill residence in Eureka Springs is painted white.

Luke's love for baseball consumes him. He longs to play one day for the St. Louis Cardinals, his ticket out of the farming community. He saves his meager wages from picking cotton to buy a Cardinals jacket. However, Luke makes a choice based on friendship that will complicate his dream.

Grisham's words allow the reader to become one with his characters and their surroundings. Ordinary lives become complex with tiny twists of plot. His characters come alive on the page. One cares about the outcome of each side story in the entire piece. A PAINTED HOUSE is set apart from ordinary coming-of-age stories by Grisham's artful use of sensory details. One can hear a hissing, coiled snake, feel the chill blast of a tornado's fury and smell the stench of water-soaked cotton balls.

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